Blue Velvet (1986) torrent download

Blue Velvet

1986

Drama / Mystery / Thriller

7.8

Synopsis

College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work...

Director

David Lynch

Cast

Isabella Rossellini
as Dorothy Vallens
Kyle MacLachlan
as Jeffrey Beaumont
Dennis Hopper
as Frank Booth
Laura Dern
as Sandy Williams
Hope Lange
as Mrs. Williams
George Dickerson
as Det. John Williams

Movie Reviews

Reviewed by sparklecat N/A

Strange, Beautiful American Classic

In the early moments of "Blue Velvet" we see idealized small town images - blooming red roses and immaculate white picket fences - accompanied by the sounds of the gentle Bobby Vinton pop tune that gives the film its title. If you sense something unsettling about this perfection, that's only appropriate. "Blue Velvet" is a David Lynch film, you see, and it won't be long at all before a clean-cut college student comes across a rotting ear in an open field.

Jeffrey Beaumont (Kyle MacLachlan) is the boy who finds the ear, and Sandy Williams (Laura Dern) is the blonde policeman's daughter who assists Jeffrey when he decides to investigate the truth about his disturbing discovery. Sandy and Jeffrey link the ear to night club singer Dorothy Vallens (Isabella Rossellini) and later, a deranged man named Frank Booth (Dennis Hopper).

"I don't know if you're a detective or a pervert," Sandy tells Jeffrey when he decides to sneak into Dorothy's apartment. As Jeffrey becomes sexually entangled with Dorothy, we can only cast similar doubt.

It's true that "Blue Velvet"'s dark mysteries have the power to repulse. Voyeurism, rape, torture, and murder are all key to the plot. Yet the film is also spellbinding in its beauty. Vibrant colors and ominous shadows offer gorgeous contrast - call it Technicolor noir - and the film is rife with unforgettable imagery. Moments big and small, from MacLachlan playing with a child's birthday hat to Dean Stockwell's show-stopping lip-synch of Roy Orbison's "In Dreams", are as haunting as anything you will see at the movies anywhere.

The acting is top-notch. MacLachlan is just right as the lost innocent Jeffrey, and Hopper shreds the screen as his depraved counterpoint Frank. Rossellini's performance as Dorothy is devastating and extremely courageous: this is her defining moment as an actress.

"Blue Velvet" is perhaps the quintesstential David Lynch film. His strange humor and painterly gift for creating stunning images are prominently on display, and the film illustrates Lynch's contradictory impulses toward unbridled nastiness and aw-shucks sweetness like no other has. After all these years, "Blue Velvet" is still a shocker, and deciding how one feels about it is still a challenge. It is a film to be considered and then reconsidered, visited and revisited, the kind of film that will never fade away. For serious cinephiles, then, "Blue Velvet" is a film to be cherished.

Reviewed by preppy-3 10 /10

A masterpiece

A very strange movie but incredible. A young man (Kyle MacLaclan) comes home to help care for his sick father. Soon he's in love with a detective's daughter (Laura Dern) and mixed up in a mystery involving Dorothy Valdes (Isabella Rossellinni) and psycho Frank Booth (Dennis Hopper).

Probably David Lynch's best film. The story has gaps in logic, but it's secondary to some incredible wide screen imagery (this has to be seen letter-boxed...no two ways about it). Lynch has said in interviews that he thinks of the image first then works it into the movie. You can tell...things that make no sense at first gradually make sense later on. This movie also demands multiple viewings...I was so shocked the first time I saw it, I couldn't concentrate on it...it took THREE viewings to finally get it.

As to what the movie is about...it depends who you ask. Some people said it's the Hardy Boys on drugs...others say it's about a boy's sexual awakening...others see it as good vs. evil...each one is a valid statement! To me, that's a true art film...one that means multiple things all at once.

The performances are top-notch. This film made MacLachlan...him and Laura Dern work well together and give nice low-key performances. Dern is just great...but she does look pretty silly when she tries to cry. Rossellinni is nowhere near as good as her mother (Ingrid Bergman) was, but she deserves credit for taking such a risky role. She's pretty good. Hopper is WAYYYYYYY over the top as Booth...he's both horrifying and hilarious...a great performance. And let's not forget Dean Stockwell as "suave Ben". His "performance" of "In Dreams" is a definite highlight.

Be warned--the film is very extreme. There's explicit violence, plenty of nudity, sex and tons of profanity. Not for the squeamish. Still, I loved it from beginning to end. One of my favorite films of all time.

Reviewed by ccthemovieman-1 9 /10

Lynch's Most Famous Movie? I Think So

This has always been a unique crime movie, like no story I have seen before or since. In numerous ways, it's a sick film...but utterly fascinating, even after a handful of viewings. It's a certainly a trademark of director David Lynch with its bizarre story and twists and strange characters.

This movie has one of the most evil characters ever put on screen: "Frank Booth," played by Dennis Hopper. The latter is known for playing psychotic killers and this role tops them all. Hopper was never sicker. Almost as bizarre as him is the female victim in here, "Dorothy Vallens," played a mysterious Isabella Rossellini.

Kyle MacLaclan is good as the nosy late-teen who just has to find out what is going on in Dorothy's apartment while girlfriend Laura Dern gets caught up in his curiosity.

In a movie that features strange characters, the strangest scene of them - and there are a number - is in Booth's apartment with Dean Stockwell and his friends. Stockwell's lip-synching to an old Roy Orbison song is really freaky. Make no mistake, though: as bizarre as this film can get, it's mostly a very suspenseful crime story that can get very uncomfortable to watch at times. The language in this film was surprisingly tame.....until Hopper enters the scene. He's about the only character who uses profanity but he makes up for the others by using the f-word in about every sentence. He is so over-the-top, though, that after the initial shock seeing this movie once or twice, I know almost laugh out loud at him and way he acts.

Visually and audibly, this is another interesting Lynch movie with superb colors, creepy camera angles and a diverse soundtrack. You hear everything from lush classical music to old rock 'n roll songs, and a bunch of bizarre noises (sound effects).

From discussions I've had, this seems to be a film people love or hate. There is not much room for middle ground. Lynch has done much "nicer" films such as "The Straight Story," crazier films ("Wild At Heart," "Eraserhead") and classier movies ("The Elephant Man") but this will be his trademark film: the one above others he will be remembered for, good or bad.

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