In may 1940, the German troops enter France. Frightened by the progress of the enemy, the people of a small village of Pas-de-Calais decide on the recommendations of the prefecture, to give up everything to go on the road, fleeing to the coast. Among them, there is Paul, the village mayor. He led the group, seeks to maintain a minimum of order and republican spirit in this nomadic life. Mado, his wife, plays music trying to find the fragrance of those that took place in his coffee in the village. Suzanne, a young teacher, goes to meet to choose the least congested route. And she especially supports a small German boy, Max, 8 years old, whose father Hans was arrested after the declaration of war. During the Arras attack, residents are released from prison and abandoned in the deserted city. Hans managed to flee the city, accompanied by a Scottish officer, Percy, whose entire unit died under German bullets. These two will travel together. Hans seeking to recover his son who fled the village, Percy hoping to reach the sea, and find a boat back to England. —Fadette Drouard


Christian Carion

Movie Reviews

Reviewed by searchanddestroy-1 N/A

French Exodus

This movie belongs to the batch of the few films talking about the Nazi invasion of France, back in 1940. The other one which I remind the most if Pierre Granier Deferre's LE TRAIN, back in 1973. Here, the story is quite different, but so moving too, even not so dark, desperate, although. It takes place in the north of France and tells the story of a large group of people who run away from their village houses and belongings, in order to escape from the German army forward march. Among those people, there is a little boy, the son of a German- but no Nazi - guy who escaped from his country several years earlier.

You have here a poignant tale, gripping story and unfortunately sometimes cheesy too. But certainly interesting and so realistic, bringing a point of view about things really happened in those harsh times. I particularly appreciated the two German soldiers who were so frightened to fight and who finally died. And also the scene of the German propaganda crew setting up everything to screw the cinema audiences in Germany. These sequences are exquisite. That's the way those events happened, and so rarely shown. And I will finish by speaking of the great Ennio Morricone score. And also don't miss the ending credits showing old black and white pictures of those refugees, authentic anonymous people, for whom this film is a homage.

Reviewed by paul-allaer 6 /10

Well-intended WWII drama takes a long time to engage

"En mai, fais ce qu'il te plait" (2015 release from France; 114 min.; US title: "Come What May") brings the story of a group of villagers in northern France. As the movie opens, we are reminded, while watching archive footage, that 8 million people were displaced in May, 1940, one of the largest displacements in history. We then go to "One Year Earlier in Germany", where we get to know a man and his young son. It's not long before they are fleeing the country, only to turn up in France, pretending to be Belgians. The man gets arrested by the French when they find out his real nationality, leaving the son in the care of a school teacher. As we get to May, 1940, the village mayor tells everyone to evacuate, from Pas-de-Calais to Dieppe, some 100 miles to the southwest. At this point we're 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for your yourself how it all plays out.

Couple of comments: this is the latest movie from French director Christian Carion, best known for his Oscar-nominated WWI drama "Merry Christmas". Here he takes at a particular chapter in WWII, when millions of people from northern France tried to flee the invading Germans. Let me state upfront that I have no doubt it was a human tragedy. It's only that the movie doesn't come across that way until late into it. Indeed, much of the movie feels like a Sunday afternoon stroll in the countryside, with some wine and some dancing for good measure. It's not until the convoy gets attacked by German planes that it really feels like war is hell, and we feel some emotional connection to the characters. Indeed the last half hour of the movie is by far the best part of the movie. I wish that this level could've been achieved much earlier in the movie. There are some notable performances, including Alice Isaaz as the school teacher Suzanne, but real kudos to your young boy who plays 8 yr. old Max, and has speaking parts in both German and French (and impeccable in both languages). Last but certainly not least, there is a beautiful orchestral score by none other than the legendary Italian composer Ennio Morricone.

"Come What May" opened out of the blue at my local art-house theater here in Cincinnati this weekend, and I was eager to check it out. The Saturday matinée screening where I saw this at was attended okay but not great. If you have any interest in WWII movies, you may want to check it out, be it at the theater, or eventually on VOD or DVD/Bly-ray.

Reviewed by pierluigipietroniro 10 /10

When a memory becomes testimony

During the recording of the soundtrack composed by Maestro Morricone I was lucky enough to meet the music producer Mr. Pascal Mayer of the Noodles Supervision. After asking me how long I had collaborated with M° Morricone, and after knowing that I started in that studio with "Once upon a time in America" in 1983, he asked me to be able to include my "little" story related to these in the video interview with the Maestro. It was a great honor to be placed alongside the Master, and to be able to tell the world this little story of 35 years of collaboration, devotion, esteem and affection.

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