The Lost Daughter (2021) torrent download

The Lost Daughter





Leda is a middle-aged divorcée devoted to her work as an English teacher and to her two children. When her daughters leave home to be with their father in Canada, Leda anticipates a period of loneliness and longing. Instead, slightly embarrassed by the sensation, she feels liberated, as if her life has become lighter, easier. She decides to take a holiday by the sea, in a small coastal town in southern Italy. But after a few days of calm and quiet, things take a menacing turn. Leda encounters a family whose brash presence proves unsettling, at times even threatening. When a small, seemingly meaningless event occurs, Leda is overwhelmed by memories of the difficult, unconventional choices she made as a mother and their consequences for herself and her family. The seemingly serene tale of a woman's pleasant rediscovery of herself soon becomes the story of a ferocious confrontation with an unsettled past.


Maggie Gyllenhaal

Movie Reviews

Reviewed by ferguson-6 8 /10

past and present collide on an island

Greetings again from the darkness. There are so many things that go unspoken about parenting, and first time writer-director Maggie Gyllenhaal specifically focuses her lens on the pressures of motherhood, by adapting the 2006 novel from the anonymous and talented and mysterious Italian writer Elena Ferrante. Of course, we are all aware of Ms. Gyllenhaal's fine work as an actor, yet it's almost beyond belief that this is her debut as a feature film director. The source material is strong, but Ms. Gyllenhaal, along with a terrific performance from Olivia Colman (Oscar winner, THE FAVOURITE, 2018), turn a coastline vacation into a mesmerizing psychological case study.

Ms. Colman proves yet again what a fine and versatile actor she is. Here she plays Leda, a divorced professor on solo holiday on a picturesque Greek island, staying in a refurbished lighthouse tended by longtime caretaker Lyle (Ed Harris). Leda is packing a satchel full of books and academia work, and is a bit perturbed when her isolated beach time is suddenly interrupted by a large and noisy family of vacationers from Queens. Being an observant loner, Leda eyes young mother Nina (Dakota Johnson) who is struggling with her daughter, as well as her husband and other family members. This triggers memories in Leda that are handled via flashbacks with a terrific Jessie Buckley (I'M THINKING OF ENDING THINGS, 2020) as young Leda, stressed out wife and mother to two daughters. She longs for her own space.

At face value, this appears to be a movie about a woman annoyed that she can't just enjoy a quiet holiday on the sandy beach as she reads her books. However, there are so many layers to the story and to Leda, that as viewers, we must remain on high alert to pick up all the queues and subtleties. Watching Nina with her daughter and husband sends Leda deep into her past ... a past that still haunts her to this day. At the same time, while gazing at Leda, Nina can't help but wonder if she is looking at her own future self.

Much of what we see (past and present) reinforces the isolation and frustration felt by so many mothers. It has nothing to do with loving one's kids, but rather maintaining one's sanity and self-being. There are a few key moments, including one that creates tension between Leda and the vacationing family, and another that immediately connects the two. Leda's past includes steps that would be considered taboo for any wife and mother, and the symmetry of her past and Nina's present are striking.

Peter Sarsgaard (director Gyllenhaal's real life husband) has a supporting role in the flashbacks, while Dagmara Dominczyk plays a critical role as Callie, part of Nina's large family. Bonus points are won with a Leonard Cohen reference (that may or may not be true), and also playing key roles here are a missing doll (connecting Leda's past and present) and the proper way to peel an orange. Cinematographer Helene Louvart works wonders balancing the beautiful setting with the not-always-beautiful actions of the characters. Especially potent here is the performance of Olivia Colman, who proves she can play most any role. It's also remarkable what first time director Maggie Gyllenhaal has accomplished here. This is a multi-layered, nuanced look at how relentless parenting can often feel overwhelming and may even lead to feelings of guilt later in life. It's rare to see such a raw look at the emotions behind what is often referred to as the joy of motherhood. The film leaves little doubt that the always-dependable actor Maggie Gyllenhaal is now one of the most interesting new filmmakers on the scene.

In select theaters on December 17, 2021 and on Netflix beginning December 31, 2021.

Reviewed by jdesando N/A

Director and star should be Oscar nominated. It's that good.

On a summer vacation in Greece, Leda (Olivia Coleman), a 48-year-old professor from the states, confronts a raucous family with a young mother, Nina (Dakota Johnson), whose temperamental child reminds Leda of the challenges she faced as a young mother. Maggie Gyllenhaal's first outing as a writer-director is a triumph of subtle feminism underlying a search for the disturbing layers of motherhood, including abandonment and infidelity.

Gyllenhaal displays an acceptance of life's vagaries with goodwill and a subtle dread for the disappointments lying ahead. Coleman's Leda is charming and disagreeable in almost equal measure. While she observes her neighbors' frequently lame attempts at motherhood and marriage, Leda is slowly reminded of her own infidelity and child abandonment issues, expertly played as a young Leda by Jessie Buckley. Coleman navigates between now and then with the self-possession of a scholar used to the ambiguities of living and loving.

The story is not overly-complex or subtle because the characters are deliciously confused and downright naughty as folks in their late twenties are wont to be. Never are Gyllenhaal's and Coleman's attitudes about disappointment in their fellow human beings; rather director and star are as intrigued as they are perplexed about how life turns in on itself.

Coleman won the Oscar for The Favourite, a decidedly raucous set long ago. The Lost Daughter is a contemporary drama that shows her other acting chops. She will be Oscar nominated and deservedly so. Director Maggie Gyllenhaal should also be, an extraordinary occurrence for her first time out.

Reviewed by drednm N/A

Annoyingly Vague with Lousy Ending

This is a long and confusing story about an academic (Olivia Colman) on vacation in Greece whose idyll is interrupted by a loud and sinister family from New York City. One of the women has a small child and it causes Colman to have a series of flashbacks to when she had small daughters who smothered her while she was a doctoral candidate (or a young professor, hard to tell).

The girl on the beach goes missing and Colman finds her. She returns the kid to the loud family but steals the kid's doll which was in the sea. She becomes vaguely friendly with the young mother but is untrusting of the others in the group. There's also a odd "cabana boy" and an old American (Ed Harris) who seems to be her landlord.

As the vacation progresses, we see thru flashbacks more of Colman's dislike of being a mother to squalling brats and Colman seems to be mentally deteriorating between the bitter memories and the ominous family that is everywhere. She spends some time trying to clean up the waterlogged doll but it triggers more flashbacks.

Colman seems to be losing her mind. One final confrontation reveals the truth about her daughters and sets us up for an ambiguous ending on the beach.

Colman is certainly very good but the story is so vague it's hard to get involved with the characters.

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