Mr. Klein (1976) torrent download

Mr. Klein


Crime / Drama / Mystery



Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing discrimination because of laws enacted by the French government are desperate to sell valuable works of art - and it is easy for him to get them at bargain prices. His cosy life is disrupted when he realizes that there is another Robert Klein in Paris - a Jew with rather mysterious behaviour. Soon he attracts the close - and menacing - attention of the police to the art trader. —Eduardo Casais


Joseph Losey


Alain Delon
as Mr. Robert Klein
Jeanne Moreau
as Florence Klein
Juliet Berto
as Jeanine
Suzanne Flon
as Doorwoman

Movie Reviews

Reviewed by dbdumonteil 10 /10

Delon's lost great performance,Losey's lost masterpiece.


A doctor's office.A woman stands here in the nude.He's no longer a doctor but a vet,examining the scared patient as if she's a cow."She might belong to those inferior races.A dubious case."He mumbles to his nurse.

"Monsieur Klein" is rarely mentioned when they praise Joseph Losey.It could be his finest achievement ,the success of a work fascinated by decay,from "the gypsy and the gentleman" to "the servant".

Like the heroes of the two mentioned works,when the movie begins,Monsieur Klein (Alain Delon,whose performance is memorable,anyway it's his last great part)is a bon vivant.A bourgeois vulture who buys paintings and other works of art for next to nothing from the Jews during the Occupation in France.One day,he receives a news paper called "les informations juives".Thus he discovers he's got a namesake.At first puzzled,Klein becomes more and more involved in a search of this man ,his doppelganger,his twin,who plays cat and mouse with him.Both realist and dreamlike,not to say nightmarish,à la Kafka,and metaphysical,à la Borges ,as the precedent user wrote,Klein's quest is both mad and logical,absurd and passionate.A sublime sequence shows Delon in a crowded café :a waiter 's calling "Monsieur Klein";first he does not care because he knows "they " call the "other",but finally,he asks the waiter who tells him that the person who called "Monsieur Klein" looked just like him.Then the baffled Delon sees his reflection in a mirror.

In 1942,in Paris ,there are ominous plans.In the desert streets ,in the small early hours,French gendarmes silently move ,as if they are rehearsing for something better left unsaid.The color movie almost turns black and white in a riveting cinematographic tour de force.

Robert Klein becomes like Lewis Caroll's Alice in the well.He could avoid the fall,but he will not.His world,now that he's a suspect for the police,is collapsing.It's his turn to sell his valuable properties for a song.

In the vel' d'hiv' (winter velodrome),the roundup of Jews had begun.Klein could escape,because his lawyer found the papers that proved that "he 's got no Jewish blood in his veins",but he would like to know this other himself and he would follow him even if it were into hell.It was indeed,as the train slowly moves off,heading for the concentration camps.

A first-class work,"Monsieur Klein" leaves the audience numb and ill-at-ease.A topflight supporting cast (Suzanne Flon,Jean Bouise,Michel Lonsdale,Jeanne Moreau) shines.

Reviewed by Galina_movie_fan 8 /10

A man and his double

Joseph Losey's dark moody drama of a man and his double or his shadow takes place in Paris of 1942 during the Nazi Occupation. Mr. Klein, in excellent performance by Alain Delon (if anybody ever tells you that Delon is nothing but a pretty face, NEVER believe it. Delon is a great actor with amazing screen presence who happened to be one of the most beautiful people ever lived), is a French Catholic antique dealer, successful with his business and adored by the ladies. At first, he does not care much about the occupation and the fate of Jews who had to sell their pricey pieces of Art and personal belongings for a song just to be able to leave France and to save their lives. On the contrary, he only becomes richer but everything changes when he is confused with another Robert Klein, his namesake, a wanted by the authorities' member of the underground resistance and a Jew. In the atmosphere of the total fear, bigotry, hatred, and paranoia, the "presumption of innocence" ceases to exist and Mr. Klein must prove that he is not a Jew or to face the fate of millions whose fault was to belong to the "inferior race". While trying to claim his comfortable life back, Mr. Klein begins looking for the man he never met but who by the bitter irony of fate had played such a significant role in his life. The desire to look him in the eye becomes so overwhelming that it will take Robert to where he may not be able to ever come back.

"Mr. Klein" is a complex, subtle, scary, and nightmarish film made by a very talented director who had to leave his country, the USA, in the beginning of the 50s and who knew a thing or two about paranoia and hatred multiplied by the power and turned into indifferent killing machine. Once you are inside this machine, "Abandon hope all ye who enter here". Losey's film is often described as a blend of Hitchcock's thrillers where the heroes must deal with the mistaken identity and Kafka's nightmares of "The Trial" and I agree with the description. I only want to add that the film brings to mind Edgar Poe's short story "William Wilson" which was adapted to the screen by Luis Malle as a part of the trilogy "Histoires extraordinaires" (1968) and Alain Delon played both William Wilson and the mysterious man, his double, his conscience, his dark and hidden side. "Mr. Klein" also reminds another underrated, rarely seen but very interesting Ingmar Bergman's film "The Serpent's Egg" (1977) as well as Bob Fosse's masterpiece "Cabaret". The themes of the Feast during the Time of Plague, the helplessness and distress of the terrorized members of society that face the merciless and inevitable force of history and would perish without a trace, are similar in all three movies. Despite these similarities, "Mr. Klein" is an outstanding film on its own merits. What saddens me is the fact that is little known, rarely seen and almost never mentioned even among the film buffs.

Reviewed by Eumenides_0 8 /10

The Holocaust From A New Perspective

Mr. Klein is one of the few movies I've watched because of the person that wrote it. After enjoying The Battle of Algiers, State of Siege and Queimada, I had to continue watching the movies written by the spectacular politically-minded Franco Solinas. The fact that one of my favourite directors, Costa-Gavras, did uncredited work on the script, was a major draw too. I'd never heard of Joseph Losey and although I've recently discovered the beautiful, ice-cold Alain Delon through Jean-Pierre Melville's movies, I wouldn't watch a movie just because of his good looks.

So thank you Mr. Franco Solinas for a new good movie and a unique take on the Holocaust theme.

Alain Delon plays Mr. Robert Klein, a normal man who deals in art. In Nazi-occupied France, his business blooms as he buys merchandise at low cost from Jews trying to escape. Since they're at a disadvantage, Mr. Klein only profits from their business relationships. He's not too concerned with what's going on. After all he's not Jewish.

Then one day a Jewish newspaper appears at his door: it seems Mr. Klein is on the subscribers' list. That can't be since he's not Jewish. It seems there's another Robert Klein that got mixed up with him. He tries to sort out the misunderstanding with the police, but the other Klein has disappeared and our protagonist unwittingly becomes victim of an investigation and police harassment.

Continuing to believe that everything will be sorted out – he's a good Frenchman, he claims, and believes in his country's institutions – he decides to look for the other Klein. But wherever he goes he only finds mysteries and dead ends. Why is this happening to Mr. Klein? Why is the other Klein doing this to him? Who is he? These are just some of the questions our protagonist desperately wants to answer.

On the surface this is a metaphysical thriller, much in the tradition of European thrillers like Antonioni's L'Avventure, Blow-Up or The Passenger, in which facts, answers and clarity are less important than the philosophical questions that the mysteries open. Owing more to Kafka than Raymond Chandler, this is the story of how an ordinary man is caught in the bureaucratic machinery of the institutions he believes in, that replace truth with their inexorable authority. It's a prison made without walls and bars but perhaps more oppressive since it can steal even one man's identity.

The ending is truly inspired, one of the finest examples of fatalism I've ever seen in a movie. Looking back, one can't help thinking the movie couldn't end in any other way. And yet it'll come as a surprise to any viewer.

Franco Solinas, Joseph Losey and Alain Delon are all to commend for a heartbreaking movie.

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