Post coïtum animal triste (1997) torrent download

Post coïtum animal triste


Drama / Romance



Diane, a Parisian of 50, a book editor married with two teen children, has an affair with a twenty-something engineer. He's Emilio, the flat-mate of François, a writer she's coaxing through a second novel. Her husband Philippe, who suspects and then confirms her infidelity, is the attorney defending an older neighbor who stuck a fork in her husband's jugular. We know Diana's affair will end, but how much damage will it do? Will Philippe emulate his murderous client, or will Diana's bathos play out as farce? Can Diana rescue herself from the self-indulgence that comes with lovesickness?


Patrick Chesnais
as Philippe Clovier
Brigitte Roüan
as Diane Clovier
Nils Tavernier
as François Narou

Movie Reviews

Reviewed by Moobee 7 /10

if you've ever fell in this kind of LOVE

This is really a nice story, very true as my own experience, I believe anyone who ever been to that state or close to, things might go so tragic like that, The film is a truly reminder for all of us ---don't ever be that way when you fall in love, the ending could be whole lot different and you can get more than what it could offer. Self loving is always the infinity, the forever lesson for all of us to learn and stand on foot with it this life. We fall, then we grow. Brigitte Rouan is really a talent, she deserves more recognition than this film did. Great work as a female director, we need more of them like she is. Working on a project that might call her soul and she did it faithfully.

Reviewed by claudio_carvalho 5 /10

Woman in Love and Desire

In Paris, the successful forty and something year old book editor Diane Clovier (Brigitte Roüan) is married with the lawyer Philippe Clovier (Patrick Chesnais) and they have teenage son and daughter. Diane meets the young engineer Emilio (Boris Terral) that is the roommate of the writer François Narou (Nils Tavernier) that is working with her, and they have an intense love affair. Meanwhile, Philippe is defending their neighbor that has killed her unfaithful husband sticking a fork in his neck and one day he overhears a phone conversation of Diane and her lover. When Emilio ends their affair, Diane gets deeply depressed missing her juvenile love, neglecting her husband and children that leave her. Meanwhile, the novel of François is published and he tries to help his self-indulgent editor to recover her emotional balance and self-esteem.

"Post Coïtum Animal Triste" is a dramatic romance about a woman in love and desire for a younger man. This film has a great performance of the director / actress Brigitte Roüan but the running time of 97 minutes is too long and the deserved a shorter edition. The situation of Diane, totally neglecting her son and her daughter, is unusual for a mother and I found her an unlikable character. The open conclusion is not clear and I do not know whether the intention of the author is to tell that Diane superseded her situation with her rebirth. I watched this movie on a VHS released by Cult Filmes distributor. My vote is five.

Title (Brazil): "Post Coïtum Animal Triste" ("Post Coitum Sad Animal")

Reviewed by allyjack N/A

At its best when it captures the feverish substance of her passion

The movie is at its best when it just captures the feverish substance of her passion, which it does vividly and candidly with a striking lack of self-consciousness on Rouan's part. But in its specifics, particularly in how it sets up the various male reactions to her behavior, the movie often seems somewhat schematic and labored, if not tedious. Her husband is defending a woman who stabbed her husband in the neck because of his affair - as he practices and prepares for her defence he copes with his growing knowledge of Rouan's adultery, and in that process can't help but argue in mitigation of his own wife; the mechanism seems clunky, if only because high-profile murders are such overly familiar, convenient thematic vessels for one thing or the other. The inspiration she provides to her main writer (who names his book after her description of a man's sweat) is too easy an external validation rather than a riding of the waves she creates for herself. The scenes of her trashed state are too much decrepit chic. Not that the overall trajectory doesn't more or less work, but the film constantly seems to be battling its own limitations, the restrictions it places on its central turbulence. The ending certainly seemed to me a very melodramatic signaling of redemption.

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