Woman in the Moon (1929) torrent download

Woman in the Moon


Adventure / Comedy / Drama / Romance / Sci-Fi



Thirty years ago, at a scientific conference, Prof. Manfeldt presented his theory on the existence of gold on the Moon. It was greeted with laughter by the assembled academics. Today, Herr Helius has ambitious plans to build a spaceship... and take it to the Moon! Windegger, his chief engineer, will be going, and so will Prof. Manfeldt, now living in a cramped garret alone with his theory. But there are disagreements with the financiers who insist that their man Turner also accompany the flight... The unmanned Rocket H 32 brings back valuable information from the dark side of the Moon. Helius is upset by the news of Windegger's engagement to the pretty Friede. And the financiers have a secret agenda: to control the world's gold supply... Finally, the Spaceship "Friede" is ready as it rolls out on its gantry for takeoff. The staged rocket works as planned, but the acceleration is fierce. As they approach the Moon, they discover a stowaway on board, Gustav, a little boy...


Fritz Lang


Willy Fritsch
as Wolf Helius
Gerda Maurus
as Friede Velten
Klaus Pohl
as Georg Manfeldt
Fritz Rasp
as Walt Turner
Gustav von Wangenheim
as Hans Windegger
Tilla Durieux
as Fünf Gehirne und Scheckbücher
Margarete Kupfer
as Frau Hippolt

Movie Reviews

Reviewed by pro_crustes 9 /10

Truly the first serious space movie

As Martin Sheen said in the fine documentary "Space," this movie deals seriously with almost every aspect of a flight to the moon. It makes some dreadful errors that, even in 1929, could and should have been avoided (an atmosphere on the moon, for example). But, it nevertheless treats the subject and the viewer with respect. When I saw this movie at a New York revival house, a live pianist provided the silent film's accompaniment. I encourage you to see it this way, as that somehow made it even easier to put myself in the place of an early 20'th century filmgoer, and see this fine movie for what it was. The story is light, but the beckoning mystery of outer space is captured in a way that will make you feel you know something more than you used to about the people who made, and first saw, these images. And, when you do, remember that real space flight was 30 _years_ away. (Later, you might ponder that the first lunar landing is now _more_ than 30 years ago, but do that after you enjoy this sweet look at, as Fred Pohl put it in another, related, context, "the way the future was.")

One extra bit of advice: Keep your ears open at the moment of launch. All of the effects in this movie are, naturally, simple and gray-haired. Nevertheless, when the rocket actually took off, my audience gave an audible reaction because, I think, Lang decided to emphasize an aspect of what a rocket is, and what it can do, that virtually all later film-makers have decided to ignore. They should see this movie, and learn a little something.

Reviewed by Rosabel 8 /10

Excellent, despite some slow patches

The new Kino DVD release of 'Woman In The Moon' is a great addition to anyone's Fritz Lang collection. Once again, the new music composed for the film adds tremendously to the experience. I was astounded by how ahead of its time this movie was in terms of its science, and it was no surprise to read that Ufa had a team of science consultants working with Lang to supply realistic details. The use of the rotation of the Earth to provide extra impetus to the rocket, the way the booster rockets were discarded as the spaceship moved further out of the Earth's atmosphere - having grown up watching real moon launches in the 60s, it was astonishing to see the actuality echoed by fiction decades earlier. There was clearly a lot of attention to detail; they even figured out ways of conveying weightlessness in space, which were pretty advanced for the time. The special effect of trying to pour a bottle of wine without gravity was both funny and impressive. The movie is not one of Lang's great masterpieces, and I agree with other comments that point out that it tends to slow down in places. Lang always did like making long, long movies, and when he settled down to tell a story, he could really take his time getting everything perfect. When this involves people just sitting or standing in a room talking, it can get a little tiresome - in one scene, Helius is trying to get through on the phone to his partner Windegger, and it takes so long he has time to snip to pieces a big bouquet of flowers on the table in front of him. I swear, it seems to be happening in real time; if there were something exciting happening in the meantime somewhere else it might have passed more quickly, but we just keep cutting between a scene of a man impatiently holding a phone to his ear and snipping at flowers, and a scene of people sitting at a dinner table listening to a speech. Not even Lang can make this gripping, though I think he was defiantly determined to try. On the other hand, there are places where it works well. The long buildup to the rocket launch is terrific - I would have enjoyed it if it were even longer. The hangar in the darkening scene, lit with jumpy spotlights as the moon begins to rise, the slow, smooth monumental sliding of that massive machinery as the rocket glides forward to its launch position, dwarfing the human beings walking alongside it, and all the beautiful changes of camera angle to draw in the viewer, are very moving. I can see why the Nazis liked Lang and wanted to get their claws into him; if they could have harnessed him to make THEIR kind of movies, he'd have been a real prize for them, another Riefenstahl. 'Woman In The Moon' wasn't a hit at the time, mainly because Lang (as usual) wouldn't listen to the studio heads who wanted some concessions to the coming of sound technology, so it was a dinosaur silent movie when the public was engrossed with something new. But it is definitely worth watching, and its strong points are worth sitting through some tedious slow patches to enjoy.

Reviewed by John-244 N/A

One of the most important films to the history of the Space Age

Frau im Mond may appear scientifically outlandish to the modern viewer, and the high-style expressionistic acting of its actors overdone, but nevertheless the film should be recognized as a landmark which impacted world history. The UFA studio commissioned a then small and marginal band of German amateur rocket aficionados centered around Hermann Oberth to work as technical consultants to the film's designers, and UFA even commissioned them to build a rocket to be fired at the film's premier in Berlin. The rocket wasn't completed in time, but the laboratory furnished by UFA, not to mention the heady excitement of a brush with the highest level of cinema, and the salutory infusion of unexpected cash, together set some of these young rocketeers on their life paths. These included Willy Ley, and a young Prussian aristocrat engineer named Wehrner von Braun.

When the Nazis came to power, Fritz Lang parted with his wife and partner Thea von Harbou and came to Hollywood. The production models of the liquid-fired rockets from Frau im Mond were so advanced that in 1936 the Gestapo seized them as state secrets. Werhner von Braun went on to develop the brilliant Nazi terror weapon known as the V-2. Post-war, the V-2 and its German designers begat both the American and Soviet space programs. All subsequent space history was profoundly influenced by these developments. Frau im Mond maintains its impact to the present day. For just one example-- purely as a dramatic device to build tension before the rocket's lift-off to the Moon, Fritz Lang introduced title cards counting down from ten to one. The "countdown",as it became known, was so successful that NASA and everybody else has been doing it ever since.

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