American Psycho (2000) torrent download

American Psycho


Action / Comedy / Crime / Drama / Horror



Patrick Bateman is handsome, well educated and intelligent. He is twenty-seven and living his own American dream. He works by day on Wall Street, earning a fortune to complement the one he was born with. At night he descends into madness, as he experiments with fear and violence.


Mary Harron


Christian Bale
as Patrick Bateman
Willem Dafoe
as Detective Donald Kimball
Jared Leto
as Paul Allen
Josh Lucas
as Craig McDermott
Samantha Mathis
as Courtney Rawlinson
Matt Ross
as Luis Carruthers
Bill Sage
as David Van Patten

Movie Reviews

Reviewed by nph19 9 /10

Strangely satisfying

One of the weirdest movies I've seen. Saw on video tape when it came out then recently watched it again 18 years later. Forgot how fun it is to watch. The absurdity of Bale's character Patrick Bateman's shallowness and preoccupation with superficial things like how upset he gets over a colleague having a better business card than him makes this movie comedic while he's slicing up victims. Still not sure about whether or not all of the things happening were all in his head. I guess that's up for anyone's interpretation of the story. Very well done and one of Bale's best performances as if he's ever performed badly.

Reviewed by MovieAddict2016 9 /10

Very good

In 1991, Bret Easton Ellis' controversial novel "American Psycho" took the world by storm - women accused it of being misogynist, sexist filth and others were understandably shaken by its brutal and graphic depictions of unprovoked violence and torture.

Set in the 1980s, the book follows the story of a 27-year-old Harvard graduate named Patrick Bateman, who goes on a killing spree and murders "twenty, maybe forty people." It was originally slated for circulation in 1990, but Random House pulled out of distribution, fearing backlash. It was later released as part of a Vintage Series, and quickly sold over 250,000 copies, becoming one of the most popular (and, to some, important) literary works of our time.

In the movie, Welsh actor Christian Bale portrays Bateman gleefully tongue-in-cheek, whether it's confessing to manslaughter over the phone ("I just had to kill a lot of people!") or dancing to Huey Lewis and the News' "Fore" album before hitting an associate over the head with an axe.

Patrick is a troubled guy. On the surface, he appears to be normal - he's a Wall Street broker with a secretary, an expensive apartment suite, his own limo and a fancy business card. But on the inside, he's a monster - complete with an insatiable blood lust and lack of empathy for fellow human beings. (If he can indeed be classified as one.) As a film and a novel, "American Psycho" is an attack on the absurdities of the '80s yuppie era - sometimes the satire isn't very subtle, in fact it's often made very clear, but I liked it. Because the movie is so eccentric and over-the-top, and Bale is so loony and maniacal, the satire needs to be equally strong - and it is. Whether it's business men drooling over each other's fetishistic business cards or Patrick discussing the nuances of modern pop music before killing more victims, "American Psycho" hits strong and hard - this is a great, overwhelming cinematic and visual experience. It cannot be condemned for being unsubtle - it never was.

The performances are wonderful. Bale is superb as Bateman, totally embodying the character. As a man bewildered by his environment, and wanting only desperately to fit in, Bateman listens to Genesis and "Hip to Be Square"; finally we have proof that too much Phil Collins and Huey Lewis will turn you into the next Ed Gein.

Perhaps some fans of the novel will dislike Bale's performance (at times, it almost seems comical, such as when he murders his coworker Paul Allen, played by Jared Leto). But I thought it was the perfect mix of introspection, self-hatred, outer-loathing, lust, conformity and schizophrenia. Bale manages to capture all of this perfectly, and by the end of the film, I could not imagine anyone else in the role.

Willem Dafoe, Chloe Sevigny and Reese Witherspoon all have co-starring roles, but at the end of the day it is Bale who really drives this film home - he's the reason it's worth seeing, and in part the reason it exceeds beyond the typical restraints of its genre.

Since its release, many critics have accused "American Psycho" of being a watered-down version of the book, being both "politically correct" and "lacking satire." However, I don't recall the last time I saw a man beat a dog to death with the heel of his shoe in a mainstream motion picture. Or chase after a prostitute completely naked, wielding a bloodied chainsaw. Or hold a gun to a cat's head and threaten to feed it to an ATM machine.

In fact, when "American Psycho" was previewed before the Motion Picture Association of America, they gave it an NC-17 rating - not for its violence, as one might expect, but rather for its threesome scene between Patrick and two prostitutes.

Director Mary Harron cut footage from the film and finally managed to achieve an R-rating, but on a new "Uncut Killer Collector's Edition" DVD, you can see the film as it was intended to be seen - and it's a real fine treat. Now excuse me, I have to go return some videotapes.

Reviewed by DanielStephens1988 9 /10

American Psycho is not a story about murder

The film looks to examine our own distorted points of view or detachments from reality. Like Patrick Bateman, we may be trapped craving the approval of others and denying ourselves the ability to distinguish fantasies from our reality. People are obsessed with how the others perceive them likewise in American Psycho Bateman achieves no catharsis, he's trapped in his own personal hell because he requires the recognition of the other yuppies to confirm his identity as a murderer. The irony is that Feynman's real crimes may as well be fantasy. The lack of acknowledging his reality drives Bateman further into madness and existential despair

It's about yuppie culture, the melding of identity, and the craving to stand out from a superficial homogenized society. Bateman's interpretation of the world is skewed by his inflated ego and his evident psychosis as well as presumably multiple mental illnesses. Bateman is a killer, but still, he's not the killer he thinks he is, as he goes insane he can't distinguish reality from fantasy. His over the top chainsaw massacre style killings may be an aestheticized elaboration on partial truths, ultimately the film doesn't care. The more significant point of the movies absurdity is that within his society Batemans not the psycho at all he's just one more normal guy amidst a horde of uncaring detached from reality, secretly discontented American psychos. Bateman is surrounded by like-minded superficial people obsessed with all the wrong things like making impossible reservations at Dorsia and the tasteful thickness of their business cards. Within the homogenized upper-class elite identities blur as everyone strives after a generic yet highly specific image of success.

Everyone we see in Bateman's company appears to be the same person. It's no wonder that identity is mistaken continuously and swapped throughout the film. The lawyer has mistaken Paul Allen or perhaps Batman has killed the wrong person becomes not only plausible but also an expression of the general confusion resulting from the loss of individual identity.

Meanwhile, although Batman tries like the rest to fit in, the emptiness of his lifestyle also fuels a craving to stand out. To escape the conformity that he on some level despises Batman leads a second life as a killer, where he's unfettered from the bounds of society. Although he actually wants to be seen as a murderer as someone different from the rest of society Bateman is denied even the satisfaction by every self-absorbed yuppie he meets. When he's seen stuffing a body into the trunk of a car, the witness is only interested in the bag.

This is a great movie. Look for the subtext under the dialogue.

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