Babel (2006) torrent download

Babel

2006

Action / Drama

7.4

Synopsis

4 interlocking stories connected by a single gun converge at the end to reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled married couple are on vacation trying to work out their differences. Meanwhile, a Moroccan herder buys a rifle for his sons so they can keep the jackals away from his herd. A girl in Japan dealing with rejection, the death of her mother, the emotional distance of her father, her own self-consciousness, and a disability among many other issues, deals with modern life in the enormous metropolis of Tokyo, Japan. Then, on the opposite side of the world the married couple's Mexican nanny takes the couple's 2 children with her to her son's wedding in Mexico, only to come into trouble on the return trip. Combined, it provides a powerful story and an equally powerful looking glass into the lives of seemingly random people around the world and it shows just how connected we really ...

Director

Alejandro González Iñárritu

Movie Reviews

Reviewed by Doc-134 9 /10

A Powerful Conclusion to Iñárritu's Trilogy

"Babel" represents director Alejanrdo Gonzalez Iñárritu's conclusion to a trilogy that begins with "Amores Perros" and continues with "21 Grams". That being said, if you have seen either of those films and did not like them, it is probably fair to assume that you will not like "Babel" either. Thematically and stylistically, this film continues in the same direction, but increases in scope, illustrating that one incident can trigger a devastating series of events all around the globe.

Like "21 Grams", "Babel" is constructed as a puzzle, with different pieces transpiring during different times and in different places. Many viewers will no doubt see similarities to Paul Haggis' "Crash" which explores similar issues; however Iñárritu's piece places more emphasis on human emotion and requires the viewer to be much more participative in the interpretation of themes and ideas.

The film is set into motion when the young sons of a Moroccan goat herder get careless with a new rifle and accidentally shoot an American tourist (Cate Blanchett) traveling with her husband (Brad Pitt). This one act sets off a series of tragedies with global implications. American officials interpret this as an act of terrorism and of course the media reflects this accordingly. There is a story of the couple's undocumented nanny who juggles taking care of their kids while attending her own son's wedding in Mexico. In my favorite story, a deaf Japanese girl (Rinko Kikuchi) struggles with her mother's recent suicide and a father who is emotionally distant. This story doesn't reveal its connection to the others until late in the film, but it is undoubtedly the most poignant.

At its core, "Babel" is about the difficulty of human communication and even though stories unfold in four different countries and in five languages (English, Arabic, Spanish, Japanese, and Sign); language is far from the principal obstacle. This film is more concerned with cultural assumptions and biases that tend to obscure reality and how our perceived differences keep us from connecting to each other. There are many reasons to recommend "Babel", but most of all because of its astounding ability to cope with issues of global importance while also presenting characters whose individual struggles are no less compelling.

Reviewed by mstomaso 9 /10

Thoughtful, edgy, engaging and ambiguous

Babel is one of the most intelligent and artfully made films of 2006. The film has two central themes - culture and communication. It also exposes the connections between these themes in the arenas of politics, religion and geography sensitively and intelligently. The tag-line, though intentionally obtuse, sums the film up well - "If you want to be understood... Listen" - The parable is designed to speak to people all over the world who seem to believe that the meaning and importance of political boundaries somehow supersedes the value of humanity. It has especially important messages for Americans, however. And its release was well-timed to coincide with an election (2006) which may, in the long term, provide some hope for American foreign policy.

The film brilliantly weaves four deeply interconnected stories engaging five cultures on three continents. The cultures are North American, Mexican, Moroccan, Japanese and Japanese/deaf. At the heart of each tragedy is an inability to communicate. The tragedies begin with bad decisions that spin each plot somewhat out of control once cultural interference and miscommunication kick in.

Brad Pitt and Kate Blanchett play a troubled American couple having very little fun on a vacation in the Middle East. Susan (Blanchett) is shot by a young boy practicing with a gun (The two Middle Eastern boys who play the brothers in this film give Oscar-worthy performances, unfortunately I can't get their names out of IMDb easily). Three crises are simultaneously set off, as the Americans' nanny must find a way to attend her son's wedding in Mexico while Susan's medical crisis unfolds, and the poor Islamic family responsible for the gun begin to undergo a devastating crisis of their own. Of course the United States executive branch (not the government - sorry, we are still a democratically organized republic regardless of who sits in the oval office) interprets the crisis as an act of terrorism and a political crisis threatens to doom Susan to bleeding to death in a small remote town in the desert. Finally, in a seemingly disconnected story, Chieko (Rinko Kikuchi), a young, deaf, Japanese volleyball player is coming of age. Her mother has committed suicide and she seems bound to work out her problems with her father by devoting herself to a lascivious lifestyle.

The performances are, all around, excellent. The directing is exquisite - perfectly paced and visualized. This is a great film which, despite its commercial pedigree and big budget, achieves a rare level of artistry - proving that blockbusters do not have to be sold short. Babel will make you think, and think well. Make sure you bring your attention span and brain, however.

Very highly recommended.

Reviewed by Nazi_Fighter_David 8 /10

A coherent, impressive, well-made, insightful piece of work

"Babel" centers on several groups of people in 4 countries that are all connected by one freak accident… Alejandro González Iñárritu takes us from North Africa to North America to Asia… His film exposes four unconnected story lines that are eventually divulged to be inextricably linked to one another…

The first involves an isolated family of goat herders who live in the High Plateaus of the Moroccan desert where two young boys are testing a rifle's range handed by their father to protect their goats from jackals...

The second concerns a Middle-class American couple on a bus tour of Morocco trying to save together their damaged marriage…

Meanwhile, in the US, there is grave danger for an undocumented immigrant—a Mexican nanny as she tries to return to United States after she wrongfully decides to take her two blonde-haired young charges to her son's wedding across the Mexican border, despite her employers' sudden change of plans, that needs that she remains with them and miss the joyful occasion…

And on the opposite side of the world, we follow, in Tokyo, an alienated, confused deaf and mute teenage student, recovering from her mother's suicide, who eases her feelings of depression and loneliness by trying to win the friendship or attention of every man or adolescent who crosses her path… She flirts with sexual exhibitionism to attract the attention of her distant and uncommunicative father…

"Babel" tries to make a point and the point is that when people can't or won't communicate, unpredictable paths can lead to tragic consequences… It also tries to leave a message of how a 'shooting' from a simple 'gift' can set off a chain reaction of tragic events in three continents and four countries over which the different characters have exceedingly uncomfortable human emotion…

Out of the entire cast, it is only Rinko Kikuchi as Chieko who steals the movie especially when she transmits to her friends her mad decision of sexual aggressiveness, saying to all: "Now they're going to meet the real hairy monster." This scene remembered me, in some way, Sharon Stone uncrossing legs in "Basic Instinct."

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