Boulevard (2014) torrent download



Action / Drama



Nolan Mack is sixty, married, a literature professor, and well-regarded and leads a quiet uneventful. One night, as he drives home, he nearly runs into a hustler. Sorry for what might have happened, Nolan starts a conversation with the young man named Leo and ends up in a hotel room; not for sex - the older man has fallen in love with the young man. Having realised he was gay since age of twelve, Nolan's never been able to express his sexual orientation and Leo happens to crystallize his feelings and desires. But what extent will it affect his married life and professional career?


Dito Montiel

Movie Reviews

Reviewed by gradyharp 10 /10

'People leave, you know? But for some people, it just doesn't seem fair.'

BOULEVARD will always remain a remarkable film despite the fat that it did so poorly in the theaters. Written by Douglas Soesbe and directed with immense subtlety by Dito Montiel, this film is a fitting tribute to one of America's greatest comedians, the star Robert Williams who offers a performance that echoes the lives of many men who elect to lead their lives as gay men in the closet for whatever reason. Williams was 63 years old when he died of apparent suicide following a long struggle with depression and this, his last film, is dedicated to this memory.

Nolan Mack (Robin Williams in a performance so understated that it makes us forget during the film that he was one of the funniest crazies in the comedian arena) is 60, quietly married to an independent Joy Mack (Kathy Baker), quietly working in the same desk in the same back for years, tending his dying father, up for promotion as a bank manager, who turns down a wrong boulevard one evening – a street for hustlers and prostitutes and almost inadvertently picks up a young hustler Leo (Roberto Acquire) and begins a 'relationship' with him, supporting him financially and with attempts to find work for him, but never having a physically consummated act – just being in the hustler's presence is enough. We discover that Nolan is gay and has known since he was twelve but elected to never acted out on it. He has a close friend Winston (an Excellent Bob Odenkirk) with whom he communicates but never admits to anyone except his barely conscious father that he is gay. How he deals with his new discovery of the life for which he has yearned is the manner in which the film plays out – his confession to Joy, the rejection by Leo who has his own interpersonal relationship issues and flaws (a very impressive bit of writing that shows the insecurities of a hustler's mindset), and the trauma that finally exposes his real identity makes for a deeply moving though very quiet story.

The film, in retrospect, seems an homage to the other side of the comedy mask Robin Williams wore. In many ways it is his Ave Atque Vale. Sensitive, subtle, deep, and heart- wrenchingly real, it is a fine yet sad way to say goodbye to Robin Williams.

Reviewed by Lowbacca1977 6 /10

A heart wrenching story about being honest with oneself

Robin Williams takes on another serious role here as Nolan, and he does another good job in playing a serious role like this and handling a lot of raw emotions that really diverge from the image of Robin Williams in the role of comedy, although there's certainly some humour he brings to some scenes.

Really though, the film tackles a very somber and difficult topic as Nolan, long since married, takes a sudden leap into trying to acknowledge his homosexuality when he picks up a young guy off the street, paying him just to spend time with him. The idea of someone in a marriage having an affair usually is linked with boredom or disinterest, or some sort of deficiency present. What makes this powerful is that there is no deficiency in the marriage, it's simply something that Nolan can't choose to be. There is love between him and his wife, but they seem to be different loves.

To an extent, I found the film difficult to watch, particularly the scenes with Leo, the young man that Nolan develops an infatuation with, but part of the power of the film are those scenes, the awkwardness and uncertainty that Williams brings to Nolan, and the overpowering feeling that he's not sure how to accept what it is he wants. It's a very different sort of story than what I've seen of dealing with someone being gay, but it's strongly shown that it is a story that deserves telling.

Most poignant about the film, for me, wasn't the film itself so much as what was discussed during the Q&A, and an unusual coincidence that happened during the shooting of the film. One of the filming locations belonged to a couple that had been married for decades, but where the husband came out only a few years prior to being contacted by a location scout. That just adds something powerful to it for me, perhaps just as it really added to the sincerity of the film to have someone stand up and say that the heart-wrenching and painful scenes in the film can be very real, but that the underlying love, even if not quite romantic, is also very real.

I did find the film dragged, and there was a slow agony to it, somewhat like slowly removing a band-aid, so while I think the core of it is a very powerful set of emotions, as a film I was less impressed, and that as a film it was solid, but not stand out.

Reviewed by comicman117 5 /10

An Uneven Average Film That Is Most Notable For Being One of Robin Williams Last Performances

Boulevard is not a particularly great movie, and suffers from its utter generic-ness and lack of ambition. The absolute best thing I can say about the film, however, is it contains one of Robin Williams's last acting performances, and in spite of such an average picture, he manages to turn in a fine, very restrained, dramatic performance. The kind we had come to expect from Williams.

The set-up of the story is simple. A bank clerk, named Nolan (played by Robin Williams, lives a pretty standard life. He and his wife (played by Kathy Baker) have set-up their marriage as a way to distract themselves from the outside world. All of this changes one night while driving. Nolan encounters a troubled young man, named Leo (played by Roberto Aguire), and his entire life changes, as he comes to embrace who he really is, and even his own sexuality.

Boulevard is a pretty atypical film. It's well directed by Dito Montiel (who also made Guide To Recognizing Your Saints) and the script is okay, even having some genuine laughs in it. The performances all around, not just Williams, are fine, including Kathy Baker as his wife, Roberto Acquire as the troubled youth he befriends and Bob Odenkirk in a small role as one of his accomplices and friend named Winston. It's really Robin Williams who shines through though. This may not be one of his absolute best performances, but for being one of his final roles, it isn't a bad role either. Williams isn't being manically over the top (overly dramatic) in this film. He's showing the level of restraint that he's usually showed in some of his best roles like Good Will Hunting and Dead Poets Society. For example, when he confronts his wife after missing dinner, instead of screaming and hollering, he tries to calm her down, and is very resourceful as playing it cool.

Boulevard is a rather short film with less than 90 minutes. The director clearly has skill in making a competent picture, but aside from Williams's performance, I wasn't drawn into much of the story. For being one of Robin Williams's last performances, it does make me sad, but either way, it was a good role for him to go out on.

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