Fright Night (2011) torrent download

Fright Night


Action / Comedy / Horror



A remake of the 1985 original, teenager Charley Brewster (Yelchin) guesses that his new neighbor Jerry Dandrige (Farrell) is a vampire responsible for a string of recent deaths. When no one he knows believes him, he enlists Peter Vincent (Tennant), a self proclaimed vampire killer and Las Vegas magician, to help him take down Jerry.


Craig Gillespie


Anton Yelchin
as Charley Brewster
Imogen Poots
as Amy Petersen
Colin Farrell
as Jerry Dandrige
Toni Collette
as Jane Brewster
David Tennant
as Peter Vincent

Movie Reviews

Reviewed by blackmambamark 7 /10

Damn good vampire fun.....

Can a horror remake actually be a good for a change? I mean, how many classic horror flicks does Hollywood have to crap on until they finally give up? "Texas Chainsaw Massacre", "Amityville Horror", "Nightmare on Elm St.", "Friday the 13th", "House of Wax".......all of these films are examples of why i sometimes HATE Hollywood.

Finally......a horror remake that's WORTH seeing. I must admit, i had some pretty low expectations walking into this, and it did way more than prove me wrong. Initially i thought they were going to make this a straight 'B' movie by incorporating tons of humor with their gore, which would have been fine with me, seeing that i love the genre'. But this movie was more fun than funny. Don't get me wrong, there are some sequences that are funny, but it had more of that 'drive-in' appeal to it's horror. And i loved every bit of it.

It's story is pretty basic, and somewhat cliché'. I mean come on, a vampire living next door. But the weird thing is, it didn't come off as cliché'. And i think the biggest contribution to that was the pace of the film. Once you get past the first 10 to 15 minutes of the film, which are kind of dull, the movie quickly begins to morph into a fast paced gore fest. And now looking back on it......if it were not rated R, then this movie would have been stupid, and it would've fit in with every other crummy horror remake.

But the aspect that i appreciated the most was the writing. For once, they didn't alter any rules to make their film different. They stuck with what already works, and left it up to the actors to make these vampire rules entertaining. And Collin Farrell did just that.

Bottom Line.....Of all the horror movies that come out this year, this will probably be the one you will have the most fun at. It's funny, it's somewhat scary, but most of all, it's pretty damn entertaining. It's one of those movies i would've loved to of seen at the drive-in. If your tired of all this 'Twilight' crap, which they happen to mention in the movie itself, then this is really a breathe of fresh air to all the TRUE vampire fans.

Reviewed by lakini71 8 /10

Welcome to Fright Night 2011

It has occurred to me that when people refer to a new "reimagining" of a beloved film, they use the term "unnecessary remake." I've been guilty of that myself. I really tend to think, however, that technically any remake is unnecessary. No one "needs" to be told what is basically the same story (in most cases) twice. I've also heard the argument that bad films are the ones that should be remade, not good ones. I can understand that to an extent, but do people really want to sit through a new version of something they hated the first time? No remake is going to make everyone happy; it's just not possible. Unless of course, you haven't SEEN the original.

So, just how should a remake be judged? As a stand-alone film, or how it compares to a previous one we love so much? And I do love writer-director Tom Holland's 1985 vampire flick FRIGHT NIGHT. It is just the right mix of comedy, terror, suspense, terrific performances, and an affection for old-fashioned scares. Many others have fond memories of it as well, so I relate to the "why"s and the "oh don't screw it up"s, and the "leave it alone"s. After all, beloved films are dumped on all the time by would-be filmmakers out to make a quick buck for the safe Hollywood studios.

Most of the central story is intact: Anton Yelchin leads the cast as Charley Brewster, a used-to-be high-school misfit who comes to the realization, thanks to childhood buddy Ed (Christopher Mintz-Plasse) that his new neighbor Jerry (Colin Farrell) is a vampire. It isn't long before he's convinced his single mother (Toni Collette) and his girlfriend (Imogen Poots) of this which point all sorts of bloody hell breaks loose.

Screenwriter Marti Noxon has infused a basic story (whose plot points and situations weren't always very believable) with some new smarts, including adding more depth to the central characters. And the setting has changed to a cookie-cutter suburb of Las Vegas, where people sleep during the day, work at night, and are much more transient. Another interesting change is the character of Peter Vincent. In the original, Roddy McDowall played a hammy horror host and actor: Peter Vincent, the Great Vampire Killer. Here, David Tennant assumes the role, but Vincent has become an elaborate Vegas magician who performs vampire-killing antics on the stage. In both versions, they are recruited by our hero to help slay the bloodsucker. It's an ultra- modern twist, but within the location context, works beautifully.

During the first hour or so of 2011's new incarnation, I was shocked to think that I may end up liking this remake even more than the original. But after some hair-raising moments in the first half, culminating in a dark, desert car chase, the film threatens to go off the rails in a sequence that's a bit hokey, over the top, and unfortunately timed. And there are a few iffy CGI instances as well. Luckily, things get back on track with a climax that's executed with a uniquely creepy wit, and a few good shocks and surprises. Director Craig Gillespie (LARS AND THE REAL GIRL, "United States of Tara") earns respect for pulling off (for him) an unfamiliar genre; he also pays homage to a few memorable scenes in the original without trying to copy or disrespect them.

Most of the performances are engaging and authentic (aside from Mintz-Plasse in his later moments), with Tennant's wry turn a real treat, and the ever-wonderful Collette's naturally grounding presence adding a needed weight of normalcy. It is Farrell, however, who is the real deal; he absolutely nails this role (no, he won't make you forget the original's suave Chris Sarandon, but in fairness, Jerry is written much differently in this update). Farrell combines sexiness and utter menace to the fullest: this vamp means business! Some of the best work of his admittedly spotty career is on display, including the film's most brilliant moment, where Jerry's fidgety impatience with being invited into the Brewster home is both hilarious and nerve-wracking.

FRIGHT NIGHT is a solid film in its own right; if there's not enough love from the original's fans to spread out to its remake, that's unfortunate.

Reviewed by kannibalcorpsegrinder 9 /10

Solid and enjoyable remake

After a mysterious stranger moves into his neighborhood, a teen and his friends accidentally stumble upon his terrifying secret about being a vampire and recruits a famous vampire hunter to try to stop the trail of carnage left behind and his friends become the next target.

This was a surprisingly decent enough affair that wasn't really all that bad with some good points to it. Among the better parts here is the absolutely fun storyline throughout here that does compare favorably against the original since the ruse is discovered early on. This has a lot of rather fun antics that really push this along, from their initial meeting that clues him, the strange way he continually creeps around the neighborhood to pop up at exactly the wrong time or the few behavioral ticks that give him away which all go wrapped together alongside the previously-discovered videotapes that all help to give this one the work needed to fully reveal the ruse. Beyond this, the scenes stalking around the house where he has to free the captive inside and her eventual fate not only gives this one yet another charge for the ruse yet also features quite a really suspenseful sequence to help build that section more beyond the friendly scenes. There's a lot to come off of that in its action in here, from the house destruction and eventual high-speed chase along the highway that has a lot to like about it during their various chases and encounters with him to the battle in the office that includes some nice stalking scenes through the endless rows of artifacts stored away or battling the creatures in the panic room. As well, this here has the final assault on the underground hideout with all the turned victims providing enough of a battle to allow for some big action moments before the one-on-one confrontation, which is rather entertaining in its own right as there's some rather fun fighting here with their contraptions and some decent enough gore scenes to make it interesting. Along with the vampire makeup and gore, this is a pretty good effort with a lot to like although there are a few problematic elements here. The film's biggest flaw is the fact that the ruse is found out far too early and far too easily, since there's little investigation required to find out his true identity and it's all out in the open with such little push- back or need to look further into who he is which makes for some questionable storyline points. Along with this effort, the film also manages to stumble somewhat in it's CGI which is rather cheesy and clumsy throughout here as there are some exceptionally weak shots in here. The fact that so many of them are due to the wounds inflicted upon him which is quite obvious due to his spastic movements and disorienting behavior during the attacks, and along with the transformation scenes and use of blood and gore all just make for a rather flawed experience. These do knock it down somewhat but not enough to lower it overall.

Rated R: Graphic Language and Graphic Violence.

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