Heavy Traffic (1973) torrent download

Heavy Traffic

1973

Action / Animation / Comedy / Drama

6.6

Synopsis

An animated feature which begins, ends and occasionally combines with, live-action filmed on location. A white dropout struggles to create comics and animated films, drawing inspiration from the harsh, gritty world around him. Still sharing his run-down apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nut-case of a Jewish mother, he is ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. This cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, destroyed by war and pollution, where a mutant antihero challenges and kills God. Complications ensue when the cartoonist's parents react in irrational ways to his various involvements.

Director

Ralph Bakshi

Cast

Joseph Kaufmann
as Michael Corleone
Frank De Kova
as Angelo "Angie" Corleone
Terry Haven
as Ida Corleone
Jacqueline Mills
as Rosalyn Schecter

Movie Reviews

Reviewed by Quinoa1984 9 /10

Bakshi's most personal work is a completely outlandish, crude, overtly abstract New York satire

Heavy Traffic is, like many of Ralph Bakshi's films, a like it or hate it affair, but for those that respond to it, the film provides many a surprising attack on sensibility, decency, and what it means to get by in urban sprawl. It's almost too personal; one can see Bakshi or friends of his having gone through some of the little things in the lower ranks of New York City's daily life (particularly Brooklyn life) as depicted here. But it's this connection to a personal reality- and then a TOTAL adherence to turning this reality on its head and making it as wild, violent, and sexually deviant as possible- that is the key to the success of Bakshi's film, the best of his I've seen so far. His main character, Michael, is probably loosely based on himself; a young, would-be underground cartoonist who lives with insanely irate parents (Italian father and Jewish mother), and interacts with the neighborhood he's in with a casual attitude and a little reluctance to join in the mayhem that goes on with such kooky cats. Enter in Carole, a black bartender who won't take s*** from anyone, who teams up as a business partner, more or less, with Michael to first get cartoons off the ground, then, so it goes, misadventures in prostitution. It all leads up to an ending that isn't expected, though a sort of double-piling of shock and pleasant surprise.

Heavy Traffic outlays Bakshi's outlook on life in a skill that could be called animated exploitation film-making. However, it's through this overloading of characters *meant* to be unattractive, sexually piggish, wretchedly racist (and, on the other side of the coin, sexist), and violent in the tradition of the Looney Tunes cartoons with the worst taste, that the film gets to the guts of the matter. It's a half-embrace, half-attack on a lack of values in a society, and as Baskhi relishes in his excess, he also is criticizing both himself for lapping it up and those in the neighborhood for being such eccentric mother-f***ers. And, as a satire should be, it's very funny, occasionally uproariously so. Scenes like Michael being pressured to get it on with the girl on the mattress on the roof, and the outcome as a sort of running gag; the scene with the song Mabeline playing, as Baskhi puts out drawings that are without much color, and look incredible for the reason that there's seemingly little effort put into the animation with the random over-the-top sexual positions; the little bits in the feuding with Michael's parents, the mother with her Jewish-star knife-holster and the father with his dedication to the "Godfather", who eats little people in his pasta, over anything really with his family; and when Michael presents "religious" cartoons to a dying old man, which to any prurient Christian taste is hilariously offensive and, well, cool.

Bakshi is so personal at times, with his taste in color schemes, in over-lapping images with film clips, combining live-action and animation (usually with dancing ladies on one side and a lurid little twerp gawking on the other), and even likely real family photos from his own family laid in, that it levels going too far. There's a tendency for self-indulgence, however not always the bad kind, if that makes sense, and one can see how the film can and has been vehemently criticized for what it is really trying to criticize in the film. But deep down, past the creative madman in Bakshi, is also a heart; his film ends on a touching note, as abstraction turns real and a totally live scene reveals another level to Michael and Carol, as real outcasts who are both totally stubborn, and somehow meant for each other. Heavy Traffic is a one-of-a-kind affair, and the kind of under-the-radar act of an outrageous spectacle that it could only be done in the 70s. Grade: A-

Reviewed by beastiebcw 10 /10

Genius

This film is one you'll pretty much love or hate. I think to those who don't like it . . . either you're sensitive to the nudity, issues it covers, or other content material, or maybe you just don't understand it.

Sometimes confusion can lead to hatred. But the film is without a doubt visually stimulating. IMDB voters are giving it crap ratings, yet I agree with the people who give out star ratings, for this piece got 3.5 stars out of 4. And it deserves it. It's groundbreaking, and such a perfect posterchild for the 70s in terms of seedy animation and urban decay.

Well done Bakshi, well done.

Reviewed by ozzfan2 N/A

Artistic satire is often overlooked

A few previous critics of this work by Bakshi slam it for being "stereotypical" and thereby negative as a whole by implementing foul humor, language and at times even suggest that because it's a cartoon that it owes something to child-oriented animation. This is absolute pig swill. Bakshi's vision in Heavy Traffic is to present life on the streets as he knows it. His style is truly unique, overlaying animation onto real stills and film sequences to add to the New york flavor that exists throughout the film. An abusive Italian married to a worrying Jewish woman is part of our reality. Gays being abused and people having to worry about their jobs being taken by minority groups for less pay and benefits because they're more desperate than we are is part of our reality. Love regardless of skin color, and facing the consequences for it is SADLY part of our reality. By using animation, Bakshi is exercising his artistic abilities while setting it in times and themes he is familiar with. This film, along with the criminally banned Coonskin should be hailed as modern masterpieces not for their visual aspects, but for the truth lying beneath and his unabashed look at how life really is. Comparing this film to "Shrek" is like comparing the original Night of the Living Dead to the recent Dawn of the dead remake. Granted they're both horror, but they're lightyears apart and don't use any of the same effects techniques. One, like Heavy Traffic, was made for social commentary, whereas the remake, like Shrek, is merely for our homogenized entertainment values.

Read more IMDb reviews